Create and Narrate: 5 Figure Audiobooks for Actors (from your home)

🚫 No More Bar Jobs. No More Shitty Side Hustles. 🚫

Narrate. Create. Get Paid.

Narrate your way to a job you can do from home. It pays more than temping. It builds on your craft.

And the best thing about it? You get paid to do what you were born to do. Tell stories.

The Catch?

The learning curve is steep.

I know because I climbed it.

I had to teach myself. It was long. A lot of research. Deep dives. Studying the YouTube tutorials, sitting with questions I couldn’t find answers to. Waking up in the middle of the night thinking about soundproofing. fucking soundproofing.

Fixing shitty audio. Dealing with online trust issues. Finding my first client. Then my second. Then my third. Learning how to be a producer.

A whole lot of bullshit that I would have loved someone to shortcut for me—saving me 234+ unpaid, mistake-filled hours.

But This Is Bigger Than Audiobooks

I started down this road because I couldn’t get a VO agent. And I’m glad. Because this is about something bigger.

It’s about taking back control. About creating your own work instead of waiting to be picked.

No middlemen. No industry gatekeepers. Straight to the work.

That’s the fucking future.

“But What If…?”

“I have no idea where to start.”
That’s exactly why I’m running this—because I didn’t either. I’ll walk you through the process, step by step, so you’re never stuck staring at the Google, wondering what the fuck a DAW is.

“You need a professional studio to record great audiobooks.”
No, you don’t. High-quality audiobooks can be produced from a home setup. Here’s what listeners had to say about the audiobooks I produced from my bedroom:

📢 “Brilliant audiobook. Alex is great and portrays the characters really well!” ⭐⭐⭐⭐⭐

📢 “Brilliant audiobook and story. I loved the book and the series. Alex did a great job reading the book!”

⭐⭐⭐⭐⭐

📢 “Excellent listen! Cannot wait for the next book to be released.”

⭐⭐⭐⭐⭐

“I hate the sound of my own voice.”
So does literally every actor, podcaster, and narrator at first. It’s normal. But you don’t have to sound like Morgan Freeman to book work. You just need technique and confidence—both of which we will build together.

“I don’t know the first thing about audio tech.”
Perfect. That means you haven’t picked up nonsense habits. I’ll show you exactly what to use and how to use it—without overwhelming you with technical jargon.

“What if I suck at narrating?”
You won’t. You’re already an innate storyteller. The difference between an okay narrator and a great one isn’t magic—it’s technique, pacing, and stamina, which, as an actor, you already have a foundation in. I’ll help you refine it.

“What if no one hires me?”
Then I’ll personally help you until they do. There is work. A lot of it. More than enough to go around. And I’ll show you where to find it, how to pitch yourself, and how to price yourself so you don’t work for peanuts.

“What if my home is surrounded by busses/drills/trains/planes nonsense?”
There is always a solution. I’ve worked in less-than-ideal spaces and figured out the best ways to get clean audio on a budget. I’m currently recording under a Heathrow flight path next to a house being gutted by an army of powertools. Whether it’s a DIY vocal booth, soundproofing tricks, or recording at the right time of day, we’ll sort it out.

Professional sound isn’t about expensive studios—it’s about the right setup and technique. I’ll show you how to get clear, high-quality audio from home without going broke.

 

“What if I don’t have the money to invest in equipment?”
You don’t need thousands to get started. You need a smart setup, not an expensive one. I’ll show you the best budget-friendly gear that delivers professional-quality audio, and I’ll help you find second-hand options where possible.

“What if I don’t have time?”
If you have time to audition, temp, or do bar work, you have time to learn this skill. And once you do, you can control your schedule instead of waiting for someone else to give you a shift doing something that you hate that gives you no credits and uses none of your valuable skills.

“What if I don’t want to give up acting?”
The most dogmatic of us say to ourselves “If I give myself an out, I will stop pursuing my goal of acting full-time” This is not an out. This is an AND.
My audiobook work slots into my acting work. Acting still takes priority. I have never had an audiobook job affect my acting jobs, and vice versa. Narration is complementary and should be designed to be picked up and put down whenever you need it.

“What if I don’t get the results I want?”
Then I’ll work with you until you do. I’m not here to take your money and disappear—I want you to succeed in this because I know how freeing it is.

 

I had all of these objections myself. They held me back. But I eventually solved all of them—so I promise you, there’s a solution.

No matter where you live, how tech-illiterate you feel, or how confusing this sounds—by the end of your training, you will have all the tools necessary to book your first job.

And I’ll stick around until you do.

What You’ll Get

👉 To start earning making audiobooks, you need:

🎙️ A place to record
🎛️ The equipment to record
💻 The software and knowledge to produce it
🎚️ The apps and frameworks to edit it to Audible standards
📚 Someone willing to pay you to turn their work into an audiobook

✅ By the end, you will have:

✔️ A place to record
✔️ The equipment to record
✔️ The software and knowledge to produce it
✔️ The apps and frameworks to edit it to Audible standards
✔️ Everything you need to land your first paying client (then your 2nd + 3rd + 4th…∞)

Are There Enough Audiobook Jobs for You?

📈 The Audiobook Boom is Here:

  • Last year: 💰 $8 billion
  • By 2032: 🚀 $68 billion (Grand View Research)

More and more people are listening to books.

My booking rate is high—not because I’m some genius narrator. I’m not. It’s because the competition is low quality.

Your biggest competitor? Joe Bloggs in Idaho, sitting in his garage, thinking he can narrate.

We are actors. We tell stories for a living. It’s criminal that making your own work like this isn’t taught in every drama school.

The Cost?

Yes, there’s a financial cost.

🎤 You need a decent mic.
🛠️ Maybe some basic soundproofing (I spent £100 on a second-hand cupboard).

I wasted around £8,134+ worth of equipment and unpaid man hours on trial and error. Buying the wrong mics. The wrong soundproofing. Lights that were too loud (yes, lights make noise).

You don’t have to.

The gear I use now and recommend to all my students? Under £400. Less second-hand.

Since starting, I’ve made £32,113 and counting.

💰 For me, it was a life-changing investment in myself.

Why Is this Course So Cheap?

Because I couldn’t afford to spend £10,350 on an Audio Engineer course.

and I didn’t want to spend £2,450 on “Learn to Narrate” masterclasses, memberships and Pay-to-Play sites.

So why should you have to.

This training is simple:

NARRATOR 1

  • Everything you need to start making 5 figures narrating from your bedroom.

£299

NARRATOR 2

  • Everything in N1
  • 4x 1hr 1-on-1 sessions
  • 60 days email support
  • 2x 30 min additional support sessions
  • Audiobook mastering tailored to your voice
  • Personal audition, profile, sample assessment + consultation

£599

Because that’s what I wanted when I was where you are now.

🚀 Back yourself. Start now. Take your power back.

This is our time.

FORTUNE FAVORS THE BRAVE

We will start training a new cohort in July 2025. 

If you want in and don’t want to miss out on a slot – sign up to the waitlist below. 

You’ll be first in line and as a well done for stepping into the arena early, you’ll get £50 off the course.

(9/10 slots left on offer)

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